arotrios

cross-posted from: https://kbin.social/m/13thFloor/t/444651

The Maltese Falcon is a 1941 American film noir written and directed by John Huston in his directorial debut, based on the 1930 novel of the same name by Dashiell Hammett and indebted to the 1931 movie of the same name. It stars Humphrey Bogart as private investigator Sam Spade and Mary Astor as his femme fatale client. Gladys George, Peter Lorre and Sydney Greenstreet co-star, with the last appearing in his film debut. The story follows a San Francisco private detective and his dealings with three unscrupulous adventurers, all of whom are competing to obtain a jewel-encrusted falcon statuette.

The film premiered in New York City on October 3, 1941, and was nominated for three Academy Awards. Considered one of the greatest films of all time, it was one of the first 25 films selected by the Library of Congress to be included in the National Film Registry for being "culturally, historically, or aesthetically significant". It is a part of Roger Ebert's series The Great Movies and was cited by Panorama du Film Noir Américain as the first major film noir.

Wikipedia on the film

Free .pdf of the novel by Dashiell Hammet

cross-posted from: https://kbin.social/m/13thFloor/t/429137

Shadow libraries, sometimes called pirate libraries, consist of texts aggregated outside the legal framework of copyright.

Today's pirate libraries have their roots in the work of Russian academics to digitize texts in the 1990s. Scholars in that part of the world had long had a thriving practice of passing literature and scientific information underground, in opposition to government censorship—part of the samizdat culture, in which banned documents were copied and passed hand to hand through illicit channels. Those first digital collections were passed freely around, but when their creators started running into problems with copyright, their collections “retreated from the public view," writes Balázs Bodó, a piracy researcher based at the University of Amsterdam. "The text collections were far too valuable to simply delete," he writes, and instead migrated to "closed, membership-only FTP servers."

More recently, though, those collections have moved online, where they are available to anyone who knows where to look.

The purpose of this site, then, is to have all these libraries at our fingertips when in need of a certain text or book.

As Aaron Swartz put it:

"Information is power. But like all power, there are those who want to keep it for themselves."

We need to take information, wherever it is stored, make our copies and share them with the world. We need to take stuff that's out of copyright and add it to the archive. We need to buy secret databases and put them on the Web. We need to download scientific journals and upload them to file sharing networks. We need to fight for Guerilla Open Access.

With enough of us, around the world, we'll not just send a strong message opposing the privatization of knowledge — we'll make it a thing of the past. Will you join us?

Read the full text of the Guerilla Open Access Manifesto

cross-posted from: https://kbin.social/m/13thFloor/t/442703

Howl's Moving Castle (Japanese: ハウルの動く城, Hepburn: Hauru no Ugoku Shiro) is a 2004 Japanese animated fantasy film written and directed by Hayao Miyazaki. It is loosely based on the 1986 novel of the same name by British author Diana Wynne Jones. The film was produced by Toshio Suzuki, animated by Studio Ghibli and distributed by Toho. The Japanese voice cast featured Chieko Baisho and Takuya Kimura, while the English dub version starred Jean Simmons, Emily Mortimer, Lauren Bacall, Christian Bale, Josh Hutcherson and Billy Crystal. The film is set in a fictional kingdom where both magic and early twentieth-century technology are prevalent, against the backdrop of a war with another kingdom. It tells the story of Sophie, a young milliner who is turned into an elderly woman by a witch who enters her shop and curses her. She encounters a wizard named Howl and gets caught up in his resistance to fighting for the king.

Influenced by Miyazaki's opposition to the United States' invasion of Iraq in 2003, the film contains strong anti-war themes. Miyazaki stated that he "had a great deal of rage" about the Iraq war, which led him to make a film which he felt would be poorly received in the United States.[1] It also explores the theme of old age, depicting age positively as something which grants the protagonist freedom. The film contains feminist elements as well, and carries messages about the value of compassion. In 2013, Miyazaki said Howl's Moving Castle was his favorite creation, explaining, "I wanted to convey the message that life is worth living, and I don't think that's changed." The film is significantly thematically different from the novel; while the novel focuses on challenging class and gender norms, the film focuses on love, personal loyalty and the destructive effects of war.

Howl's Moving Castle premiered at the 61st Venice International Film Festival on 5 September 2004, and was theatrically released in Japan on 20 November 2004. It went on to gross $190 million in Japan and $236 million worldwide, making it one of the most commercially successful Japanese films in history. The film received critical acclaim, with particular praise toward its visuals and Miyazaki's presentation of the themes. It was nominated for the Academy Award for Best Animated Feature at the 78th Academy Awards, but lost to Wallace & Gromit: The Curse of the Were-Rabbit. It won several other awards, including four Tokyo Anime Awards and a Nebula Award for Best Script.

Wikipedia on the film

The Book:

Howl's Moving Castle by Diana Wynne Jones - full book- free .pdf download

Howl's Moving Castle is a fantasy novel by British author Diana Wynne Jones, first published in 1986 by Greenwillow Books of New York. It was a runner-up for the annual Boston Globe–Horn Book Award, and won the Phoenix Award twenty years later. It was adapted into a critically acclaimed 2004 animated film of the same name, which was nominated for the Academy Award for Best Animated Feature.

Howl's Moving Castle is the first novel in the series of books called the Howl Series. This series also includes Castle in the Air, published in 1990, and House of Many Ways, published in 2008. WorldCat reports that Howl's Moving Castle is the author's work most widely held in participating libraries, followed by its first sequel Castle in the Air.

For the idea Jones "very much" thanked "a boy in a school I was visiting", whose name she had noted but lost and forgot. He had "asked me to write a book titled The Moving Castle."

Wikipedia on the Book

cross-posted from: https://kbin.social/m/13thFloor/t/443578

MANY YEARS LATER as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice. At that time Macondo was a village of twenty adobe houses, built on the bank of a river of clear water that ran along a bed of polished stones, which were white and enormous, like prehistoric eggs. The world was so recent that many things lacked names, and in order to indicate them it was necessary to point. Every year during the month of March a family of ragged gypsies would set up their tents near the village, and with a great uproar of pipes and kettledrums they would display new inventions. First they brought the magnet. A heavy gypsy with an untamed beard and sparrow hands, who introduced himself as Melquíades, put on a bold public demonstration of what he himself called the eighth wonder of the learned alchemists of Macedonia. He went from house to house dragging two metal ingots and everybody was amazed to see pots, pans, tongs, and braziers tumble down from their places and beams creak from the desperation of nails and screws trying to emerge, and even objects that had been lost for a long time appeared from where they had been searched for most and went dragging along in turbulent confusion behind Melquíades’ magical irons. “Things have a life of their own,” the gypsy proclaimed with a harsh accent. “It’s simply a matter of waking up their souls.” José Arcadio Buendía, whose unbridled imagination always went beyond the genius of nature and even beyond miracles and magic, thought that it would be possible to make use of that useless invention to extract gold from the bowels of the earth. Melquíades, who was an honest man, warned him: “It won’t work for that.” But José Arcadio Buendía at that time did not believe in the honesty of gypsies, so he traded his mule and a pair of goats for the two magnetized ingots. Úrsula Iguarán, his wife, who relied on those animals to increase their poor domestic holdings, was unable to dissuade him. “Very soon well have gold enough and more to pave the floors of the house,” her husband replied. For several months he worked hard to demonstrate the truth of his idea. He explored every inch of the region, even the riverbed, dragging the two iron ingots along and reciting Melquíades’ incantation aloud. The only thing he succeeded in doing was to unearth a suit of fifteenth-century armor which had all of its pieces soldered together with rust and inside of which there was the hollow resonance of an enormous stone-filled gourd. When José Arcadio Buendía and the four men of his expedition managed to take the armor apart, they found inside a calcified skeleton with a copper locket containing a woman’s hair around its neck...

One Hundred Years of Solitude (Spanish: Cien años de soledad, American Spanish: [sjen ˈaɲos ðe soleˈðað]) is a 1967 novel by Colombian author Gabriel García Márquez that tells the multi-generational story of the Buendía family, whose patriarch, José Arcadio Buendía, founded the fictitious town of Macondo. The novel is often cited as one of the supreme achievements in world literature.

The magical realist style and thematic substance of One Hundred Years of Solitude established it as an important representative novel of the literary Latin American Boom of the 1960s and 1970s, which was stylistically influenced by Modernism (European and North American) and the Cuban Vanguardia (Avant-Garde) literary movement.

Since it was first published in May 1967 in Buenos Aires by Editorial Sudamericana, One Hundred Years of Solitude has been translated into 46 languages and sold more than 50 million copies. The novel, considered García Márquez's magnum opus, remains widely acclaimed and is recognized as one of the most significant works both in the Hispanic literary canon and in world literature.

Wikipedia

cross-posted from: https://kbin.social/m/13thFloor/t/441958

Little, Big: or, The Fairies' Parliament is a contemporary fantasy novel by John Crowley, published in 1981. It won the World Fantasy Award in 1982.

Harold Bloom included this work in his book The Western Canon, calling it "A neglected masterpiece. The closest achievement we have to the Alice stories of Lewis Carroll." Bloom also recorded that, based on their correspondence, poet James Merrill "loved the book."

Thomas M. Disch described Little, Big as "the best fantasy novel ever. Period." Ursula K. Le Guin wrote that Little, Big is "a book that all by itself calls for a redefinition of fantasy." In Modern Fantasy: The 100 Best Novels, David Pringle described the book as "a work of architectonic sublimity" and wrote that "the author plays with masterly skill on the emotional nerves of awe, rapture, mystery and enchantment." Paul Di Filippo said, "It is hard to imagine a more satisfying work, both on an artistic and an emotional level".

A number of readers and critics have described Little, Big as magical realism, perhaps in an attempt to defend it from being categorized as a work belonging to the sometimes maligned field of genre fiction. However, the novel fits the classic description of low fantasy. Some list it among the early works of urban fantasy or at least as a "classic" part of the movement that developed into it.

Wikipedia

cross-posted from: https://kbin.social/m/13thFloor/t/436776

CW: John Denver singing Hamlet. Locusts. Moltar hitting on Mary Anne. Pissed off Professor.

"I am the lone locust of the apocalypse. Think of me when you look to the night sky."
"Yeah I will."

Link goes to episode two, but that's the Internet Archive's trove of Space Ghost - the full series is available there.

cross-posted from: https://kbin.social/m/13thFloor/t/413449

On the Road is a 1957 novel by American writer Jack Kerouac, based on the travels of Kerouac and his friends across the United States. It is considered a defining work of the postwar Beat and Counterculture generations, with its protagonists living life against a backdrop of jazz, poetry, and drug use. The novel is a roman à clef, with many key figures of the Beat movement, such as William S. Burroughs (Old Bull Lee), Allen Ginsberg (Carlo Marx), and Neal Cassady (Dean Moriarty) represented by characters in the book, including Kerouac, himself, as the narrator, Sal Paradise.

The idea for On the Road, Kerouac's second novel, was formed during the late 1940s, in a series of notebooks and then typed out, on a continuous reel of paper, during three weeks in April 1951. It was published by Viking Press in 1957.

The New York Times hailed the book's appearance as "the most beautifully executed, the clearest, and the most important utterance yet made by the generation Kerouac, himself, named years ago as 'beat,' and whose principal avatar he is."In 1998, the Modern Library ranked On the Road 55th on its list of the 100 best English-language novels of the 20th century. The novel was chosen by Time magazine as one of the 100 best English-language novels from 1923 to 2005.

Wikipedia