StillPaisleyCat

joined 2 years ago

They’ve been happily living in British Columbia all along.

If I’m recalling correctly, there was one statistic in the 1970s along the lines that there were more bald eagles living in Vancouver’s Stanley Park than in the lower 48 US states.

No effort at all to see their nests from the outdoor theatre at Malkin Bowl.

https://stanleyparkecology.ca/2018/02/28/eagles-nesting-stanley-park/

This one was very, very well done.

If I have a quibble it’s that it reminded me that Asian women haven’t had as strong representation in the franchise as they might. But it also made me glad that Christina Chong is in a main role in SNW.

Just a note that, while the listing on the Simon & Schuster website is for the US, the major ebook sellers in other countries usually offer the same or similar deals on TrekLit, updated monthly.

The best way to find out which deals are available in your country is to search ‘Star Trek’ and books/ebooks, then filter and sort by price.

In most countries, sorting lowest to highest will put all the ebook deals at the top. In some, like the UK, just set the filter to a low maxim price e.g., less than £2.99.

[–] StillPaisleyCat@startrek.website 6 points 9 months ago (3 children)

Archer being the worst captain, while being on track to becoming a founder of the Federation etc. was what made me bail on the show for a long time.

I really came to loathe Archer, and writing T’Pol as having respect for him really damaged her character over time.

[–] StillPaisleyCat@startrek.website 5 points 9 months ago (1 children)

Not sure what you mean by this actually. . .

Uhm, I don’t need the Romulan Supernova to be tied up with a bow.

But I also appreciate that writers like to be able to be the ones to bring closure to their own stories. Alex Kurtzman was the cowriter of Star Trek (2009). I can see how he would like to be the one to lay down the incontrovertible canon that ties the loose ends that the Kelvin movies and Picard have left us with. And he’s co Showrunner of Discovery so it was his vehicle to do it with.

So, I would be cool if this resolves some things and helps us to understand better the butterfly effect that destroyed a civilization, split the resilient Prime time and perhaps even give us some deeper hints on what caused the Mirror Universe to split off.

Or just tag one of the artists who posts on Mastodon. They’ll get the notification and can decide whether they want to respond here or not.

Vfx head Brian Tatosky did that when I that on another post.

Unfortunately, I can’t recall which of the animators have seen posting on Mastodon.

[–] StillPaisleyCat@startrek.website 3 points 10 months ago (1 children)

SkyShowtime seems to be a pilot version of this in Eastern Europe and the Netherlands. Not that it seems to be doing all that well. However, I’m not sure what Peacock offers that’s original content so it’s questionable what a bundle would add.

In any event, this seems a daft thing to do when they’re trying to sell the firm. One of the biggest problems Paramount+ has had is that it doesn’t stick with a strategy and has been so tangled up in previous licensing or partnership deals that it can’t pursue its plans in any reasonable or systematic way. Tying the hands of a new owner with a poison pill deal with Comcast doesn’t seem to benefit anyone.

[–] StillPaisleyCat@startrek.website 3 points 10 months ago (1 children)

Emily Coutts (Detmer) and Oyin Oladego (Owo) are never listed with the main cast characters. They and others like Patrick Kwok-Choon (Gen Rhys) are credited in the ‘also starring’ list in the post credits not in the main titles.

No reason not to believe Emily won’t be back. Oyin was in production as the lead in an independent feature last year so there may have been a scheduling issue as there was for Ronnie Rowe Jr (Bryce) when he was in production for his lead role in BET+ Series ‘The Porter’ during production of Discovery season 4.

Most of these Canadian actors filling in the bridge crew work on other Canadian projects which seem to be more crucial for advancing their careers even if working on Discovery was a regular income.

I’ve tried including tags for Mastodon user accounts here previously, but was never sure if the users were getting notifications. Nice that Brian Tatosky confirmed it and that he was able to reply directly.

[–] StillPaisleyCat@startrek.website 3 points 10 months ago* (last edited 10 months ago) (1 children)

Brilliant thank you!

I remember seeing this. One wonders why this hasn’t been included in the BlueRays or included with the DS9 library on Paramount+.

If you’re on Mastodon, I’d recommend sharing it with the current vfx head Brian Tatosky (@virtualbri@mastodon.online).

I totally agree.

However, the number of posts I see elsewhere wondering if it will take place in the already crowded late 24th or early 25th century is surprising. So, there’s value add to Doug Adams affirming that.

 

The Directors’ Guild of Ontario hotlist is a fairly reliable source for production guild news. Star Trek preproduction in the Greater Toronto Area usually shows up there before any official announcements of production dates.

Today’s hotlist update adds a rumour for a CBS Studios television movie to start production in October.

Is ‘Dovercourt’ the working pseudonym for S31 this round? Or is there some other made for streaming movie in the schedule for CBS Stages Mississauga? Only time will tell…

 

Some reflections on the Australian experience and what they might mean for Canada.

After Google’s move on Thursday, Heritage Minister Pablo Rodriguez sent a written statement calling the companies’ moves “deeply irresponsible and out of touch … especially when they make billions of dollars off of Canadian users” with advertising.

Australia’s regulatory experiment – the first of its kind in the world – also got off to a rocky start, but it has since seen tech companies, news publishers and the government reach a middle ground.

 

As Janeway would have it, temporal mechanics can make our heads hurt.

Several of us here are still wrapping our minds around the implications of SNW 2 x 3 Tomorrow and Tomorrow and Tomorrow for the Prime Universe timeline. The Romulan agent confirmed that key events in history have been resilient to temporal incursions, but their exact dates may change as time heals itself.

While this appears to warrant some deep dives on c/Daystrom Institute once we’ve had a bit of time to process this onscreen confirmation a bit more, I thought to look back to see what astrophysicist and Star Trek science consultant Dr Erin MacDonald has said previously on this point.

At the main link above, there is an episode of MacDonald’s Astrometric Episode Club where she reviews the temporal science of Voyager Relativity and DS9 Children of Time that appears on point.

There’s a few passing references to other time travel incidents along the way. These touch on the resilience of time, not least the causality loop in First Contact where the Borg incursion into the 21st century causes Enterprise to return and get Cochrane into space when needed even though the events weren’t quite as they were originally. The timeline is preserved in this essential key event no matter the details.

There’s also a report on Time Travel on StarTrek.com about an STLV 2019 presentation by Dr Erin MacDonald. (The piece itself was written by a professor of physics and astronomy.)

 

Gizmodo’s James Whitbrook has yet more to vent on Paramount+‘s cancelation and erasure of Prodigy.

I hadn’t considered the cancelation from the perspective of systemic misogyny, which Whitbrook effectively is carating.

However, given that Janeway was surely chosen as the legacy captain for Prodigy because Voyager had proven itself to be an effective gateway for younger and new viewers on Netflix, Whitbrook’s inference Paramount views her less important to the franchise than Picard is biting.

Paramount wouldn’t dare treat what it’s done for Patrick Stewart and Jean-Luc Picard as a tax break. Casting aside everything that Prodigy stood for, and in the process doing the same to Mulgrew and Janeway’s legacy, is a cruel twist on what is already a cruel fate for the show.

 

Despite the impact of the WGA strike on promotional activities, and the lack of the boost of a major sports event trailer release, SNW placed well against other original streaming shows in the week ending June 16th. Opening in sixth place in the top ten with 33.4 times average demand is promising.

Hopefully way Prodigy’s cancelation and removal dominated the media and social media after the second week will not adversely impact SNW’s run too much.

 

My spouse felt commemoratively inspired and asked me to post.

(It’s the Eaglemoss Kelvin D-7. The peony petals just did their own thing.)

 

How are folks using the decidedly beta Mlem doing?

It’s not as fully built as the developer’s demo pages would suggest.

However, it can do more than some have criticized.

It’s definitely idiosyncratic at this point.

So, I’m curious, in the spirit of assisting in getting this community going, to share what people have figured out that works.

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