StillPaisleyCat

joined 2 years ago

Star Trek Prodigy is the true sequel to Voyager. It’s all ages / family rather than the ‘kids show’ many fans take it for. I would watch that with your GF next.

Because Prodigy is designed to be an entry point for new viewers, it introduces many of the key legacy characters and much of the lore. It has a Star Wars vibe in the pilot, mainly to draw in viewers from other franchises, but it settles into being some of the Trekiest content ever by the 6th short episode of season one.

[–] StillPaisleyCat@startrek.website 3 points 6 months ago (1 children)

Dave Blass said much of it was packed up in crates and shipped.

To where is the question.

Tawny is already in the writers room for Starfleet Academy as well as working as a cocreator of a new live action Star Trek comedy series in development.

It seems that she’s another alum who will be mostly behind the camera but will show up as a legacy character in other shows.

TOS ‘The Devil in the Dark’ in first run.

I was barely in school, but my slightly older neighbour who’d hooked me on Time Tunnel and Voyage to the Bottom of the Sea, convinced me that Star Trek must be seen.

I quickly caught up during the hiatus reruns, and have seen absolutely all of it in first run since.

[–] StillPaisleyCat@startrek.website 2 points 6 months ago* (last edited 6 months ago)

As someone who sees MS Word forms regularly force Canadians to use Month/Day/Year formats which were never native to Canada and don’t meet the ISO standard either, I am inferring the impetus transition.

But truly, I old enough to recall many standards being harmonized in the early 90s in the wake of the North American free trade agreement.

Whether or not a digital archive document demonstrates that Canada Post intentionally harmonized to match the US is TBC.

But it is a verifiable fact that the two-letter standard for provinces and territories has not been commonly established in all federal regulations or data standards or in provincial and territorial data systems standards.

That is to say, it has not been formally adopted as by Canada or as the ‘Canadian data standard.’

I hadn’t been aware that he’d also been a director for television. Truly a wide-ranging career.

[–] StillPaisleyCat@startrek.website 0 points 6 months ago (2 children)

The two-letter system was already in place in the United States mail system before the 80s.

It wouldn’t be the first time Canada adopted a US data standard to ease utilization of US made or standardized equipment.

[–] StillPaisleyCat@startrek.website 4 points 6 months ago (4 children)

It was the old form. Other than BC, the old postal short forms were 3 or 4 letters.

BC

Alta

Sask

Man

Ont

Que

NB

NS

PEI

Nfld

The 2-letter acronyms came up from the United States relatively recently.

McCoy was in Encounter at Farpoint with one meta purpose - to counter the TOS fans that were campaigning hard to say that it ‘wasn’t the same universe.’

McCoy’s presence was a nice Easter Egg, but not much more. But he did the job of saying that it was the new Enterprise in continuity with the legendary ship on which he served.

Fans argued that because Roddenberry insisted on moving WW3 back to the mid 21st century as of Encounter at Farpoint, TNG had to be a different timeline.

TOS fans understood the Eugenics Wars to be the precursor to WW3, so they just didn’t accept WW3 was going to be another half-century away. Roddenberry’s directive was to always keep the Star Trek future in our future so WW3 had to be shifted to later in time and any specific mention of the date of the Eugenics Wars was avoided.

They also hated the carpet and many other things about the ‘luxury hotel in space’ Enterprise.

Yup, that happened and continued to happen until well into TNG season 3. The brigading Berman-era fans who rail unrelentingly against ‘Nu-Trek’ don’t sound any different, they’re just more visible than the 1980s fans that relied on mimeoed fanzines and Usenet. Fans that liked TNG kept quiet at cons until at least 1990, and vendors didn’t bring TNG merchandise.

No need to fuss about calendars. Just need to revisit Dr. Macdonald’s Temporal Mechanics 101.

There have been several temporal incursions since the DS9 crew did theirs - Voyager, Picard, SNW and Prodigy, not to mention the rippling effects of the Temporal Wars established in Enterprise and Discovery.

Dates and details can slip as long as the major events stay more or less the same.

From what I can tell Americans used to use scales for dry measures (in ounces) but somewhere along the line, they switched to volume measures for everything.

As a Canadian, it’s really frustrating because often will get the American versions of UK cookbooks here which are both not metric and not weights.

I enjoy my Australian cookbooks with metric weights.

[–] StillPaisleyCat@startrek.website 11 points 7 months ago (4 children)

Cook in metric and use a scale!

 

Leaving aside bias towards the American market and critics, this latest criticism of Rotten Tomatoes influence comes from this September 6th piece from Vulture. The report provides new evidence of PR firms paying critics and persuading them to keep negative reviews off of Rotten Tomatoes tracking.

The Bunker 15 employee replied that of course journalists are free to write whatever they like but that “super nice ones (and there are more critics like this than I expected)” often agreed not to publish bad reviews on their usual websites but to instead quarantine them on “a smaller blog that RT never sees. I think it’s a very cool thing to do.” If done right, the trick would help ensure that Rotten Tomatoes logged positive reviews but not negative ones.

Collider has its own overview and retrospective on previous examples of corruption in reviewing, headlined “Rotten Tomatoes has always been mouldy at its core.’ It notes the inherent vulnerability of RT as it is owned by NBC Universal and Warner Brothers. Collider summarizes the recent criticism and analysis of RT as follows.

THE BIG PICTURE

Rotten Tomatoes' binary system oversimplifies complex works of art and diminishes the role of nuanced film critics.

The recent controversy surrounding Rotten Tomatoes reveals the site's susceptibility to manipulation by PR companies.

The dominance of Rotten Tomatoes in film discourse has led to a diminished appreciation for the human element and individuality in film criticism.

 

cross-posted from: https://startrek.website/post/1569624

Because it’s the weekend and Star Trek’s new Moopsy is possibly the most frighteningly inspired adaptation/extrapolation of Pokémons to hit the screen.

 

Earlier this week Disney announced (whinged) that it expected a $ 300 million revenue loss attributable to the strike.

Today, The Hollywood Reporter says sources are reporting cost-cutting at Warner Brothers Television Group.

the studio has suspended a number of overall deals for its top creatives including J.J. Abrams’ Bad Robot (Duster), Greg Berlanti (Superman & Lois), Chuck Lorre (Bob Hearts Abishola), Bill Lawrence (Shrinking), John Wells (Maid), Mindy Kaling (Sex Lives of College Girls). Sources say Lorre’s multiyear pact with his decades-long studio was quietly suspended in May, a week into the strike, with Wells’ deal a month later.

Deadline has a similar report but interprets the news as more likely ‘suspend and extend’ arrangements.

One has to wonder why the major content producers are continuing side with Netflix, Amazon and Apple which are primarily streamers.

 

I was initially delighted to see BBC amplifying the celebration of TAS’ 50th anniversary. Then I read this piece.

Half a day later I’m still annoyed at the number of easily verifiable errors and that with the BBC’s trusted source credibility, the power that this piece can have to create uncertainty on settled issues.

First there are 22 episodes of TAS not the 20 claimed in the article.

Second, it’s established that Gene Roddenberry’s rejection of TAS as canon was overstated or at least inconsistent (and that Richard Arnold’s own view was a factor in magnifying this question in early TNG production). The BBC article overstates this as fact.

Third, it ignores the fact that Paramount as the rights holder has decided to treat TAS as canon. The article concludes with a statement that this continues as an open question. While it might have been fair to say that for a number of fans, this remains a question, it’s not accurate to portray this as an official position even just implicitly.

Anyone else irritated by this?

 

As previously advertised.

 

The rebranded Star Trek magazine Explorer, published by Titan, is including original fiction.

For those who are fans of @DavidMack@davidmack@wandering.shop, this month’s issue may be one to add to your purchases if you’re not planning to already.

 

Labour Day statement from guild/union leadership as cited in article …

Keyser called out these contentions on Monday, emphasizing that, “These things must be resolved. And not with contract language that has a one-to-one ratio of promises to loopholes. Truly resolved.”

“Of course, that’s not the AMPTP way. And it’s a hard thing to give up on something that has served them so well for 40 years,” he continued. “They are in the process of wrestling amongst themselves, ramping up their public relations, and coming to terms with the fact that – with writers on strike – and actors on strike behind them – this negotiation is different. And they are going to have to do more – offer more – than they usually do. Much of our frustration with how long this is taking stems from that – from their internal bargaining. But they will get there.”

 

In honour of Star Trek day, this month Simon & Schuster is offering 23 ebooks at discount prices.

Books from every era are represented. (A special shout out from me for the Diane Duane one.)

As usual, look for the discounts in the US, Canada and UK through the major ebook platforms.

Enjoy!

 

An interesting, deliberately thought provoking 🤔 question for a lazy long weekend Sunday morning…

Setting aside whether specific fans like specific ‘gimmicks’ (crossovers, musicals, bringing back Kirk or Khan) or tropes (transporter malfunctions), Space.com is posing the hypothesis that the proportion was too high in Strange New Worlds second season.

There’s no arguing that the season was successful in drawing in large audiences week after week. Taking a look back though, was there too much trippy-Trek(TM) dessert and not enough of a meaty main course? YMMV surely.

For my part, I can both agree that trippy Trek is something I’ve been wanting more of, and that I would have welcomed 2 or 3 more episodes were more grounded or gave the opportunity to see more of Una as a leader and dug into Ortegas backstory.

The 90s shows seemed to be bit embarrassed by trippyness, although Voyager found its pretext allowed even stern Janeway to pronounce ‘Weird is our business.’ One can argue that the high proportion in SNW is a feature, not a bug.

I’d still prefer a 12-15 episode season though.

 

Interesting extract from a longer /Film interview with in-demand director Roxann Dawson.

I appreciate how she speaks with respect for the shows of the new era.

 

Season-long prerelease reviews are an exception to this community’s rules about posting reviews. (The mods prefer our members to prefer to post their own episode reviews here.)

It seems that today’s the day that Paramount’s embargo on ‘spoiler free’ (in theory) season reviews for Lower Decks season 4 comes off, and the first pro reviews are now posted by some who have seen the screeners.

From Inverse:

  • each one of these 30-minute episodes is nearly perfect. Just as the USS Cerritos presents the workhorse of Starfleet, with Season 4, Lower Decks again proves it is the workhorse of the entire Star Trek franchise.

From SlashFilm - view with caution, a bit more spoilery

  • /Film Rating: 9 out of

Any to add to the list?

 

Couldn’t resist sharing this video trailer.

Horak continuously overturns preconceptions about integrating differently-abled actors.

Apparently, in addition to the upcoming run of Goblin: MacBeth at Stratford Festival, Rebecca Northan (Horak’s collaborator) is already working on developing Goblin: Oedipus for an Alberta production next year.

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