StillPaisleyCat

This is a major revelation from the trial.

The writer is a principal from Duck Duck Go.

Thought folks here might be interested.

This NPR coverage is interesting.

"A lot of people don't understand how different our demands are from the WGA's demands," Bond said.

Bond said unlike the WGA, the actors union represents many types of performers — actors, dancers, stunt people — each with specific needs that need to be addressed.

Artificial intelligence, for example, is an especially existential threat for background actors, some of whom say they've already had their bodies scanned for reuse.

So Bond said negotiations with the studios' trade association, the Alliance of Motion Picture and Television Producers (AMPTP) could take a while.

"The AMPTP is just going to use every union busting trick that they have," Bond said.

Many fediverse fans are exasperated that Paramount has (once again) missed the opportunity to take our money with official tie-in merchandise and left us to our own creations, or non-licensed creators.

While it says a lot that fans on a nonmonetizing platform are literally demanding that Paramount get its profit-taking act together, all this Moopsy fan-entitlement is currently being redirected into crafting energy.

So MakeYourOwnMoopsyMonth it is.

First out of the gate is a charming ceramic Moopsy demonstrating appropriate predatory behaviour on a blue crochet duck. Enjoy.

Simon & Schuster had a larger than usual array of ebook deals for September 2023.

October 1st is the last day for this group, a new set (likely fewer books) will come on line Sunday the 2nd.

If you haven’t given Treklit a try, these ebook deals are a great low cost way to get into it.

A solid round up of some of the broader industry issues as the WGA contract moves towards potential endorsement by WGA East and West leadership Tuesday in preparation for a vote by the members.

Amid some speculation about the questionable neutrality of major Hollywood media sources, owned by AMPTP members, CNN reports from “a source familiar” that WGA has been sent a ‘best & final’ offer.

So, stay tuned for the WGA leadership’s assessment.

Missed this report from earlier in the week…Paramount+ will be joining major streamer J:COM with a launch date for Japan of December 1, 2023.

For the many fans who’ve been waiting for a legal way to get new Trek in Japan, this is hopefully great news.

Many WGA veterans urged caution at getting hopes too high for what may come out of the AMPTP negotiating room later today, after a third day of talks between labor and management that involved four CEOs.

Notably, Paramount Global’s Bob Baklish is not among the CEO’s sitting in.

It seems that with long hiatuses in new onscreen Trek ahead, genre coverage is starting to profile Trek novels again.

This set of ten weird but readable books isn’t necessarily the trippiest, but it does put the first of the Shatnerverse books at the top.

(Perhaps @ValueSubtracted@startrek.website there’s yet hope for Shatner’s wild imaginings to make it into S&S monthly Star Trek ebook deals promotional rotation.)

Bleeding Cool previews behind the scenes commentary from Hageman Brothers from prerelease of DVD-BlueRay bonus content.

CBS Entertainment is keeping the profile up on Prodigy merchandising. A bright spot amidst Paramount’s erasure of Prodigy in Star Trek Day content.

/ Film is continuing to report and opine on key points in the oral history book "The Fifty-Year Mission: The Next 25 Years: From The Next Generation to J. J. Abrams," edited by Mark A. Altman and Edward Gross.

For those of us who haven’t (yet) invested in the book, these extracts and reflections can prompt some interesting discussion.

In this case, it sounds like Nimoy’s hesitation led to a much less action-oriented integration of Spock’s presence. An interesting thought experiment.

Also, it sounds like tapping nostalgia and interlinking shows has been a constant pressure from senior executives at the IP holder. It’s well known that Roddenberry resisted close callbacks to TOS, and was determined for TNG to stand on its own in its own era. Even five seasons into TNG, Paramount senior executives though still weren’t convinced it didn’t need a TOS-connection boost.

Considering the amount of callback mining and IP nostalgia mining in the current era shows, it seems as though Kurtzman’s got a hard road to convince Paramount to give new characters and eras a chance to stand on their own.

This was included in the Star Trek Day content, but released separately a couple of days ago.

It’s nice to see Discovery getting a lot of love in this. It also really shows how great so many of Discovery’s vfx heavy scenes have been.