And remember how they made a big deal about Bernie's age in 2020? They asked for medical records, and even after getting letters from two or three doctors, that wasn't enough. It was like the birthers all over again: when they got what they asked for, they moved the goal posts and wanted the long-form documents.

Meanwhile, not a peep about Biden, who is Bernie's junior by fourteen fucking months, as if that made all the difference.

And then, four years later, it wasn't an issue anymore. Just run the guy again.

On top of that, the DNC would condescend to anyone left of center about electability.

Sokka, Scanlan, John Snow, Walter White - except “more based” or “less of a cuck”.

The two that stick out most to me are Sokka and Walter White.

A major part of Sokka's character arc is outgrowing his misogyny. I mean, Christ, the Kyoshi Warriors episode had him humble himself, ask to learn, and crossdress.

As for Walter White, his arc is becoming "more based" and "less of a cuck." It's also about him becoming a total monster.

There's been a lot of discourse about "media literacy," and it's frustrating that the people who most lack it, often in destructive ways, end up just dismissing the criticism out of hand, as though it's not dead-on.

Time to take a meme on the internet too seriously! :D

There are two things that bug me about the weirdly frequent discourse on Batman.

Firstly, there's no one version of Batman. You can find bastard fascist Batman, and you can find actual justice Batman. Hell, you can find both by Frank Miller, depending on the point in his career. My favorite version is from The Animated Series, and you'll find tons of examples of Batman using kindness and compassion to affect meaningful change, instead of reveling in violence as though it solves anything. Heck, he's nicer to working-class folks, even sympathetic criminals, than to his fellow rich people.

Secondly, I think it's a talking point with bad optics. Batman rules. Why let the fascists have him? If there are loads of ways to look at and interpret the character, I'd rather focus on the one that makes him the good kind of class traitor, anti-fascist, anti-cop, and fighting for economic and social justice.

I believe that's Andy Ngo, so yes, absolutely a pro-fascist activist. He was caught on camera actively coordinating with Patriot Prayer, a far-right extremist group.

There's also an episode where literally Abraham Lincoln shows up, talks to Uhura, and comments on how much things have changed in the future. Real subtle stuff!

My potentially controversial take is that metagaming is neither good nor bad. A metagaming problem is really just some other problem that rears its head through metagaming.

You can metagame and be a good player. It's like doing improv with dramatic irony. If you're prioritizing the gameplay and everyone's enjoyment, it's a useful tool.

If you're using it for the personal advantage of your character, though... that can also be fine. Some old-school games, especially dungeon crawls, are like strategy games testing the players as well as their characters.

It's when there's a disconnect between how people are playing the game that you get problems. If someone wants to play a strategy game while others want to play improv, and they're not thinking about what kind of approach is appropriate and when, that you get issues.

I have to admit I was kind of impressed seeing the way two scams worked together: the Hyperloop, and the Loop. People genuinely thought they were related projects because of the name and, I guess, the tunnels. So the Hyperloop made the Loop sound more exciting than it really was, and the Loop made it seem like there was progress towards the Hyperloop.

Of course, in reality, the Loop is just a shitty cab tunnel designed to financially and physically block local mass transit projects, while the Hyperloop is just bullshit vaporware designed to financially and politically block intercity mass transit projects.

You make it sound like they were losing because they pulled advertising from Twitter instead of... practically every other decision they make.

I started reading Jhereg by Steven Brust, and it takes resurrection magic into account with the world building. Part of assassination involves hiding the body until the resurrection window passes. IIRC, the legal penalties for murder are also much less severe if you just kill someone, rather than make sure they're permanently dead.

There are also "Morganti" weapons. They're pretty much the Black Blade from Elric, so they eat souls. So not only do they make resurrection impossible, but the victim is extra dead, not even existing in an afterlife. As a result, using one is a high crime, punishable by death... by Morganti blade.

New national parking platform

...if that means what I think it means, it's probably the worst of the lot.

Take it from an American: mandatory minimum parking will absolutely ruin your towns and cities.

That might be surprising for developers that released a Unity game back in, say, 2015, when Unity CEO John Riccitiello was publicly touting Unity's "no royalties, no fucking around" subscription plans. Now, even developers who paid $1,500 for a "perpetual license" to Unity back then could theoretically be subject to additional per-install fees starting next year (provided their game is still generating sufficient revenue and installs).

This reminds me of a story from earlier this year from Wizards of the Coast, publishers of Dungeons & Dragons (and subsidiary of Hasbro). It hinged on exactly the same semantics.

The short version is that, in 2000, Wizards of the Coast released D&D under the "Open Gaming License (OGL)," which gave third parties explicit approval to make and sell their own material using most of the D&D content, under a perpetual license. Cut forward 23 years, and lots of major publishers got their start making D&D supplements, and continue to use the OGL because (a) it's a cover-your-ass license in case they tread into a legal gray area, and (b) allows them to open up their own content to third parties. Plans for an update OGL leaked, with predictably dogshit terms that I won't get into right now, but essentially killed the license as anything anyone would want to use. The malicious part was that they would be "de-authorizing" the OGL 1.0a, because while it was a perpetual license, that didn't make it irrevocable.

(IIRC, it's also a legal argument based on case law established after the OGL was written. Not a lawyer, though.)

Predictably, there was a huge backlash. WotC backtracked, and even gave up ground by releasing a bunch of stuff under the Creative Commons. However, the OGL is still dead, because third parties can no longer trust that WotC (or Hasbro) won't try this ratfuckery again. (Sound familiar?) Lots of products were subtly rewritten to no longer need the OGL, and several publishers worked on an industry license amusingly called the Open RPG Creative License, or ORC.

The thing is, D&D's going to survive this a lot better than Unity. The business model was to sell D&D and D&D supplements, they only indirectly benefited from third-party material, and people are still going to make D&D stuff because it's D&D. Unity's entire business model relies on licensing, so if people stop using it... that's it.

Due to the nature of Cybertruck, which is made of bright metal with mostly straight edges, any dimensional variation shows up like a sore thumb.​

It sounds to me like the reasonable conclusion to draw from this would be to modify the design of the car. I'd also assume you don't need tolerances to be the same for literally all parts inside and out. I'd also think that, if the car looks that bad if things are 10 or more microns out of place, these cars are going to age terribly after regular use.

But what do I know? If I were smart, I'd be rich, right? And Elon is so rich, he must be a genius!