StillPaisleyCat

joined 2 years ago
[–] StillPaisleyCat@startrek.website 3 points 10 months ago (2 children)

The app won’t carry any new episodes On Demand until one day after they run on cable.

But the second season isn’t showing as a future option so that’s concerning.

[–] StillPaisleyCat@startrek.website 3 points 10 months ago (4 children)

I’m ever hopeful, but Prodigy isn’t a great fit with CTV Sci-fi Channel given theirs advertisers.

[–] StillPaisleyCat@startrek.website 2 points 10 months ago (6 children)

I’ve been checking CTV Sci-fi forward schedule in case a ‘special event’ might show up.

Complete void.

Some interesting stuff in this article.

It looks like Skydance thought that getting the non-voting class B Paramount shareholders on board would put pressure on the voting ones.

But it seems like Redstone was sensitive to the minority group of voting shareholders and that they were not on side. That is, it wasn’t enough to have the Redstones as the majority holders of class A NAI shares, and the majority of non-voting class B Paramount shareholders, Shari Redstone felt she had to have sufficient support from the minority of voting NAI shareholders to avoid problems such as accusations of imposing losses on a group.

“According to a source familiar with the talks, Redstone’s request for a “majority of the minority” vote, in which other Class A shareholders could vote to approve or nix the deal, was a nonstarter for Skydance, and the studio was anticipating a regulatory review of more than a year, which gave Redstone pause given the constraints it would have required of the business in the meantime.”

I believe their licence for Star Trek has expired so what’s already ordered is it.

Mine hasn’t arrived yet but it’s on the way.

I have no idea what the second is, but if Marvel has hired her, they are very smart.

[–] StillPaisleyCat@startrek.website 2 points 10 months ago (2 children)

I was surprised that Gersha Phillips wasn’t the head costume designer for season 5.

Do we know if she was tapped for that for the S31 movie instead?

[–] StillPaisleyCat@startrek.website 8 points 10 months ago* (last edited 10 months ago)

Some context on the Saskatchewan aspect that puts helps to understand the concerns being raised:

“Weekes also said Harrison once sought permission to bring a gun into the legislature. Harrison initially denied the allegation but resigned last week after admitting he had forgotten about the incident, which happened more than a decade ago.”

The CP photo caption says the incident happened in 2016.

While I’m still burning that SNW introduced the first main cast person with disability and killed them off just to lean on the crutch of development-by-death-of-mentor for Uhura, I’m super happy that Bruce Horak is now being regularly cast in guest star and recurring television roles in Canada.

It’s a long way from a Star Trek stint being a career-limiting choice as it was viewed in the past.

[–] StillPaisleyCat@startrek.website 5 points 10 months ago (2 children)

Great to see Discovery cast getting picked up for principal/star roles in new projects.

If the actors’ contracts are for 7 calendar years but production is stretched out as is has been due to the pandemic and the strike, it’s hard to see how more than 5 seasons are possible without severe escalation in labour costs for US talent.

Contract length is a fair point. But so is the over reliance on US SGA talent in a show that’s trying to reach a global audience and represent a future that’s diverse.

Discovery had only five seasons but in calendar years, in which contracts are written, it was seven years from production of the pilot. So, regardless of the impact of the strikes, further seasons would have required higher salaries for Martin-Green, Rapp, Cruz and Wiseman.

One has to wonder if that was a consideration in the decision on Lower Decks as well.

Also, while federal and provincial governments give significant tax credits for the ACTRA-contract labour costs of Canadian and Ontario resident actors (50%), up until Rennie joined this season the Discovery main cast were all full SGA scale, although the seasonal ‘big bass’ have all been Canadian or resident since season 2. That can make a huge difference to the overall cost.

All to say, if talent salaries were the key driver of decisions, CBS Studios should put more casting in the hands of their Canadian casting director.

One has to then of Canadian/resident main cast will also put a cap on the potential number of seasons for SNW.

It will be interesting to see whether CBS Studios will go for the tax credit when they cast the cadet roles for Starfleet Academy.

 

Some interesting reflections on how the live action writers’ strike may improve the marketability of Prodigy to a new platform, as well as enable work to begin on a third season.

This would of course been a good reason for Paramount not to cancel and pull Prodigy when they have a gap in Star Trek releases ahead in 2024.

I always appreciate a callback to DC Fontana’s smart employment of writers for TASunder the exception that they could write one animated episode without violating the strike rules.

 

A fairly thorough piece.

Whatever your view on whether it’s a pro or con for the ensemble and storytelling, SNW ‘Lost in Translation’ having covered off the ‘met him when he made fleet captain’ reference to Pike in TOS, there seems to be a great deal of flexibility for SNW to keep bringing Jim Kirk into its stories.

Here’s one unexpected take.

So what does that mean for Kirk? We have to wait until 2265 for him to take over as captain of the Enterprise, right? Well, maybe not. Canon is oddly vague on the handover from Pike to Kirk. In fact, only one episode of TOS actually takes place in 2265: “Where No Man Has Gone Before,” the second pilot. There’s also nothing that indicates Kirk didn’t serve on the Enterprise in another role before getting promoted. If, in theory, Pike were to step down and someone else became an interim captain, then nothing is stopping Kirk from serving on the Enterprise before 2265.

 

In an exclusive interview with MovieWeb, Rod Roddenberry and Trevor Roth identify Prodigy as the best entry point to the franchise. No official comment on the cancellation on Paramount+ and Nickelodeon, but positive energy nevertheless.

"I think we both feel very good about Star Trek: Prodigy being a fantastic entry point because Prodigy came from the standpoint of people who don't know the Star Trek world. The characters themselves are learning as they go what it all means to be Starfleet and be Star Trek. I think from that standpoint, for people who are feeling intimidated by 57 years by the number of shows or episodes, it is a great way to understand what Star Trek is about through the characters learning the same things themselves. I think that was one of the amazing creative decisions the Hagermans (sic) [Brothers] came up with.”

 

Fascinating article, with numerous examples where significant characters make trivial residuals on hit shows with significant streaming runs.

It also has implications in terms of explaining why kids of people who work in the industry are working in the industry. If you’ve got parents in LA and NY and they can help support you, you’re more likely to hang in a business that’s not actually paying a living wage.

It gives a different lens on Mica Burton’s appearance in Picard season three as a recurring character for example.

Burton, the daughter of the "Star Trek" star LeVar Burton, tweeted about how little she got paid when she appeared in five episodes of "Star Trek: Picard" earlier this year.

In response to a thread regarding misconceptions about the union, Mica wrote: "Please read this thread. I said before, there is no way I could survive as a working actor if I didn't have my 100 other side hustles. Yes, I was on Star Trek. I also do not qualify for SAG health insurance and was paid almost the same fee my dad was paid for Roots back in 1977."

 

There were media reports last week noting that a new CBS Studios production, under the pseudonym ‘Dovercourt’, had been added to the Rumour section of the Directors Guild of Canada (DGC) Ontario hotlist.

As of today, there is more confirming information, and a clear indication that this is the greenlit Star Trek Section 31 movie event starring Michelle Yeoh.

‘Dovercourt’ has moved into the firmer preproduction section of the list. It’s identified as a TV movie. Olantudne Osunsami is listed as the director, with the two other EPs based in Canada Frank Siracusa and John Weber also listed. These all line up with the previous S31 direct to streaming movie announcement in the spring.

Preproduction is listed as running from May 1 to October 22, 2023. This implies that production design and costume design are underway in the Greater Toronto Area.

Paul Henry Kirby is listed as Production Designer (PD). He seems to be new to Star Trek. I find listings that he was PD on Shazam! Fury of the Gods and several other cinematic releases. He was Art Director on Batman Begins. (His portfolio is listed on a personal website paulkirby.com.)

The production location is given as Toronto rather than Mississauga, which suggests that the big volume leased soundstages at Pinewood Toronto Studios may be getting one more redress for the movie rather than using CBS’ own stages.

The hotlist says it is compiled by the guild from “from deal memos, callsheets, crew lists and Members updating their availability.“

 

If you’re not familiar, every month the main publisher of Trek fiction, Simon & Schuster puts out an offering of more than a half dozen ebooks for $ 0.99 in Canada and the US and at a similar low price in some other countries.

This month is a bit of a blast back to the late Berman era with a collection of DS9 Dominion War books, a Voyager Seven of Nine story and a few others.

The standout of the month however is the Star Trek TNG - X-Men crossover ‘Planet X’.

While my preference is for physical books, Simon & Schuster’s ebook deals got me invested in the high quality Trek Relaunch continuity of Treklit as well as helped fill in my collection of out-of-print standalone classics.

Can highly recommend taking a risk on adding ebook specials at low cost to your ebook summer reading.

 

A bit late, but for those who aren’t aware, the small town of Vulcan, Alberta, has long embraced its connection to the franchise. A gigantic model, Trek themed uniforms for the town council, fairs and parades - nothing seems to be too much for this cheerful town of unabashed fans.

Conan O’Brien may have goggled to hear of it, but at this point it’s a point of multigenerational identity and civic pride.

I thought folks here might welcome a local take. (And I was myself taken aback by the local news site’s name ‘Chat News Today.’)

 

@GoodAaron@mastodon.social is boosting the news that the Save Prodigy petition has crossed 29k signatures.

Although change.org has become a monetized platform, those who are willing to use it and haven’t yet signed may wish to help it get to the 30k threshold that helped launch SNW and save The Orville.

 

The wonderful comedy of Vulcan manners, Charades, turns out to be a first time directing Trek for Newfoundlander Jordan Canning.

The Newfoundlanders on my spouse’s side will be stoked to learn this.

 

While we just saw with the Nielsen numbers from June that SNW is continuing to perform well against other original streaming series, Parrot Analytics is demonstrating that the audience interest is being maintained through the season and the strikes. Only the Witcher and Stranger Things rank higher.

Parrot Analytics demand metrics pull together several different measures including social media engagement as well as their own surveys and focus groups.

They are one of a very few metrics that are designed to provide global measurement and comparisons between and across markets. They also capture demand on phones and PCs not just televisions. Here’s their profile for Strange New Worlds for the US. You can see other countries using the menu at the bottom of the page.

While there had been scepticism about how accurate they were for the US, since Nielsen’s streaming metrics have become available, Parrot has been confirmed to provide a fairly accurate estimate of where rankings of actual viewership will fall.

 

Here are the Mastodon posts directly from @GoodAaron@mastodon.social.

He also confirms that the DVD release of the back half of season one, with special features is going forward for September.

 

@GoodAaron@mastodon.social suggests there will be some new information on Prodigy tomorrow.

Is it possible that there may be some announcements at San Diego Comic Con?

Let’s keep boosting Prodigy positively.

For those who are willing to engage in change.org’s petitions (regrettably monetized), the Save Star Trek Prodigy petition is nearing 30k signatures, and could use the support to break the threshold during the SDCC weekend.

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