this post was submitted on 23 Mar 2024
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Setting aside the usual arguments on the anti- and pro-AI art debate and the nature of creativity itself, perhaps the negative reaction that the Redditor encountered is part of a sea change in opinion among many people that think corporate AI platforms are exploitive and extractive in nature because their datasets rely on copyrighted material without the original artists' permission. And that's without getting into AI's negative drag on the environment.

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[–] FlyingSquid@lemmy.world 18 points 7 months ago (1 children)

if someone creates a perfect color gradient fill in Photoshop nobody is going to be impressed but make it with colored pencils and people may regard it as stunning

Funnily enough, that was what Mark Rothko was doing with paint. Exploring color to get the perfect shade of something. Looking at color at its most basic. That's why those of us who understand what Rothko was going for often really love his paintings while most other people say, "I don't get it, it's just rectangles."

[–] barsoap@lemm.ee -5 points 7 months ago (2 children)

Oh I do get it but it's still just rectangles. If the only people who like your stuff are other painters, not other artists in general but other painters, then I think it's fair to say that what you're doing is 99.99% craft and maybe 0.01% art.

That kind of stuff also exists in an AI context, btw, people doing things for the heck of getting it to work and showing off technical aspects. Like absolutely a milestone when it comes to video2video, absolutely at a stage where it's usable for artistic expression if you're willing to work within some limitations, though the video here is much more dicking around than art. You'll also find gazillions of AIified tiktok dances from the same crowd as tracking limbs isn't exactly trivial.

[–] FlyingSquid@lemmy.world 10 points 7 months ago (1 children)

But it isn't "just rectangles." That's the point. They were slowly and meticulously constructed by layering oil paint in a way that explores the idea of what colors and color contrasts mean.

He didn't just take a broad paintbrush and paint a rectangle.

He also suggested viewing his canvases up close, maybe a foot away, so you could see it the way he saw it.

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absolutely a milestone when it comes to video2video

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